Showing posts with label whttcc. Show all posts
Showing posts with label whttcc. Show all posts

Friday, April 17, 2009

Whatever Happened to the Caped Crusader, Part Two Preview


IGN has
a preview of Detective #153, showing six pages (and two covers) of the finale of the Neil Gaiman two-parter that recaps the adventures of the Caped Crusader. The first page has some narration making it clear that we are reading a mystery (in case the reader doesn't have their thinking cap on yet). While the first issue took a leisurely approach in giving us two long stories recounting Batman's death (two incompatible stories of two different deaths), the pattern is greatly accelerated in the preview, with fully eleven speakers having their turn in the preview alone. Many of these stories are not presented... we just see the speaker walking to or from the front of the room. In other cases, we hear their story, or part of their story.

Key points to take away:

1) Of course, all of the stories are incompatible with one another. Each speaker describes a different death scene, one that placed the speaker alone close to Batman when the event took place.

2) Of course, none of these deaths previously took place. Nor did stories very much like the ones related. I have read every Bat-Girl story featuring the Betty Kane Bat-Girl, and she was never alone with Batman facing the threat of a bomb. Likewise, the Cat-Woman story in the first part of the story depicted a first meeting between Batman and Selina Kyle that did not match the actual first meeting, but which blended details of their first three encounters.

3) This wake cannot be happening, something we already knew. It's not just that the stories are self-aggrandizing lies. Look at Batman in the coffin: He changes appearance radically as different speakers stand before him. His costume flips between different costumes he wore over the years -- his "ears" and chest symbol appear different in all three panels on the first page. As another example of the impossibility, note that there are two different Jokers plus the Red Hood in the audience.

4) All of the speakers agree on one thing: Batman never gives up, struggles heroically, and continues. Thematically, this story is letting the Batman legend have it both ways -- he is hero enough to be willing to die, but legend enough that he never will.

5) Is this story in continuity? Well, the wake cannot be happening. In some way, Batman is having a vision of the wake, and we have no window to the reality in which the man is lying around having this vision. But it is almost certainly not in continuity: It shows so many eras from his past that "our" Batman should not even be aware of. For example, he has no history of having been Batman before Pearl Harbor, as Part One mentioned.

Structurally, the story has so many precursors: The Canterbury Tales, Whatever Happened to the Man of Tomorrow, Where Were You on the Night Batman Was Killed? (Batman #291-294), and others. The last one was a Seventies story in which we also got several incompatible stories, one from each villain, about how Batman died. The stories were incompatible with one another, and ultimately none of them were true.

The art is lovely, and the lines flow right off the page. I love this story. I don't see anything in the preview that changes my guess, however, as to who the mystery woman is and what is happening. My guess is right here.

Tuesday, April 14, 2009

WHTTCC Clues

Random observations on Batman #686

Movie marquis: The Bat Whispers
Someone's gotta be out front, Miss Kyle. Tell people where to go.

Sides, like a wedding. Villain is the bride?

Riddler aware of TV show
Catwoman unaware of Riddler, but he's aware of a Selina Kyle
DKR Oliver Queen
Joker turns into animated version
Catwoman ages, but old before she starts talking
Catwoman story doesn't match the 1940 comics
Batman mishap could match Wayne murder details
"Where am I?" begins story and punctuates Catwoman tale


Mystery woman wants him to watch, is patronizing to him
Calls him Bruce, distinguishes him from Batman
Wants him to listen to Catwoman when she's trying to talk him into
 being "normal"

Jarvis Pennyworth's tombstone: "Good and faithful servant": Biblical phrase that appeared in RIP.

Specifically states that Mrs. Wayne and little Bruce found perfect happiness
Bruce's initial adventure ends with a motorcycle accident, not a fight

Talia is missing, or talking to Gentleman Ghost on p. 12
or in crowd on last page

Someone in a straw hat, red ribbon, is seated in the front right
Two men and a woman are standing against the right wall = Waynes?

Dick Grayson not in costume

Looks like an Alfred seated when Alfred stops talking

"And that Batman... do you think he'd [...] just lie down and die?"

Selina paraphrases Jane Austen (?) and Casablanca

Facts

A man and a woman are witnessing the scenes that are illustrated
No one in the scenes can see them
The man is confused and disoriented; he is, or thinks he is,
 Bruce Wayne AKA BAtman
She is unidentified; he is not certain of her identity
She seems to know what's going on
The scenes portray many alternate accounts of the Batman/Gotham history
 the variants that have been published over the years are mixed together in incompatible fashion; it resembles many of them, and none of them; some elements are totally new; alternate versions of Catwoman and Joker appear in the same sitting
The characters span the history from the beginning to the last few years
The woman wants Bruce to pay attention to what he's seeing and to accept it

Event is run as a wake; but crowd divided like a wedding villains on the bride side; friends on the groom side

Martha Wayne is reading Bruce a story "The Goodnight Book", bat on the cover "Where am I"?

This story is obviously parallel to the 1986 Alan Moore Superman story. In that story, Superman ends up with the woman we always knew he would end up with. So does the same thing happen here?

Strawman Explanations

Bruce is bleeding to death, delirious; Selina is talking him into settling down with her

Bruce is in Talia's clutches; she is talking him into settling down with her

Martha and Bruce are in some surreal state; she is his guide in this look at his life behind/ahead